Anthony Chmiel, PhD.

Music and Cognitive Psychology

Dr. Anthony Chmiel is a researcher and publishing author in music psychology and empirical musicology, located in Sydney, Australia. He has published more than 30 peer-reviewed outputs including publications in top-tier journals such as Musicae Scientiae, Psychology of Music, PLoS One, Empirical Studies of the Arts, Journal of Voice, Psychology of Aesthetics, Creativity, and the Arts, and Royal Society Open Science. He is also Consulting Editor for the Q1 journal Musicae Scientiae. 

Anthony’s research has focused on understanding preferences for and emotional responses to music, as well as the mental health, wellbeing, and physical benefits of music across the lifespan. His primary affiliation is with the University of Sydney, where he manages the research portfolio and provides specialist research support to the Sydney Conservatorium of Music. He also retains a position as an Adjunct Research Fellow at the MARCS Institute for Brain, Behaviour and Development (Western Sydney University).

From 2012 until 2023 Anthony worked as a lecturer, convenor, and tutor for various music courses at UNSW, and has previously held postdoctoral research positions at the MARCS Institute for Brain, Behaviour and Development (Western Sydney University), the Sound and Music Computing Lab (University of Padova, Italy), and the Melbourne Conservatorium of Music (University of Melbourne). He has contributed work as an author and researcher to three separate ARC (Australian Research Council) grants. 

Anthony has also worked as a live and studio freelance musician for over two decades. As guitarist he has shared bills with artists such as Jimmy Barnes, Diesel, Ian Moss, The Superjesus, and Youth Group, among others. His work has taken him to venues all around Australia including the Sydney Entertainment Centre, the Sydney State Theatre, the Sydney Opera House, and the Sydney Metro Theatre. As an undergraduate, Anthony studied under the tutelage of renowned jazz guitarist Steve Brien. 

Research Interests

  1. Empirical aesthetics in music
  2. Benefits of music across the lifespan
  3. Music and mental health and wellbeing
  4. Music and emotions
  5. Automated music recommendation systems
  6. Digital methods for preservation of heritage audio documents
  7. Quantifying performance practices, including measuring voice acoustics

Degrees

Doctor of Philosophy (Ph.D.), Music psychology

Bachelor of Music (First Class Honours)

Citations on Google Scholar
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Peer reviewed publications
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Who I’ve Worked With

Featured publications

Chmiel, A., & Schubert, E.

Back to the inverted-U for music preference: A review of the literature.

Psychology of Music, 45(6), 886-909.
2017
Chmiel, A., Kiernan, F., Ramallo, H., & Davidson, J. W.

Musical activity as avoidance-based emotion regulation during the COVID-19 pandemic: Evidence across continents.

Empirical Studies of the Arts, 42(2), 412-438. 10.1177/02762374231196083
2024
Chmiel, A., MacRitchie, J., Stevens, C. J., & Dean, R. T.

Objective demonstration and quantitation of musical learning in older adult novices across a 12-month online study.

PLOS One, 20 (4), e0320055
2025
MacRitchie, J., Chmiel, A., Stevens, C. J. & Dean, R. T.

Progressively learned musical ability predicts cognitive transfer in older adult novices: A 12- month musical instrument training programme

Royal Society Open Science, 12, 251022
2025

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Anthony Chmiel, PhD.